Over the past three decades, much thought has been given to the matter of how sixteenth-century composers conceived and crafted their polyphonic works, especially ones made mainly in fuga...

The Avignon Court of the popes, during the 14th century, was the birthplace of a new institution that would play a major role in the history of Western music, the chapel.

It may be not the most glamorous component of musicology, but the establishment of the biographies of composers remains an essential task.

Too little is known about medieval instruments and their playing techniques to justify claims that any reconstruction is “authentic” in terms of design and musical qualities.