Location: Old Library

Speaker and title TBC

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Location: Online Only

Speaker: Dr Ehud Eilam

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Location: Old Library

Speaker: Sophie Ibbotson

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Location: Old Library

Speaker: Dr Rob Johnson, SST-CCW

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Location: Old Library

Speaker: "Slow Slicing" - How China's asymmetric tactics build the Great Rejuvenation

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Location: Hovenden Room

Caitlin Sturrock (Bristol): The Sourde-Muette and the Good Mother in Pauliska, ou la perversité moderne (1797-1798)

Deafness in eighteenth-century France was a growing fascination; the 1770s marked a period of shifting societal perceptions of the sourd-muet. The Abbé de l’Épée published his treatises on the education of the sourds-muets, institutionalising his methods from the school he opened the decade before, and Pierre Desloges published his influential Observations d’un Sourd et Muet, sur un cours élémentaire d’éducation des sourds et muets in 1779, which marked one of the first interventions of a sourd-muet into these debates. Under the Revolution, the sourd-muet became a figure to imitate during the growing paranoia that spoken language caused the violent excesses of the Terror. This is what underpins the case study of this paper.

Published over two volumes in An VI (1797-1798), Jacques-Antoine de Révéroni Saint-Cyr’s Pauliska, ou la perversité moderne follows the virtuous comtesse as she moves across borders – from Poland to Italy – in search of safety for herself, her lover – Ernest – and her son – Edvinski. Facing the Baron d’Olnitz, the counterfeiters under the Danube, and Salviati’s group of mesmerists, Pauliska oscillates between imprisonment and freedom to finally end reunited with Ernest and Edvinski. In examining deafness and irrational hearing, this paper will argue that the eponymous Pauliska is virtuous and rational precisely because she is a sourde-muette. When this disability is also central to ideals of femininity – modesty and virtue – this novel further evokes Revolutionary ideas on motherhood. Here, the ideal of women’s enlightenment and the remedy to the irrationality of the Revolution lie in the sourde-muette.

Elliot Koubis (St John’s): ‘Being an “ethical” queer subject: Édouard Louis in Greece’

This paper explores what is means to be an ‘ethical’ queer subject in a time where queer movements have largely receded from view or have won mainstream acceptance in certain contexts. It will also explore whether the imagined LGBTQ+ ‘community’ in this climate imposes norms on queer bodies and expression. Louis’s Changer: Méthode (2021) will be read alongside a recent poetry collection in Greek by Spyros Chairetis, Ο Γοργόνος και άλλα πλάσματα (The Merman and Other Creatures, 2023) to examine whether there exists an anxiety for queer subjects across borders to be radical political actors.

The paper will draw upon approaches to homonormativity to show how norms shape attitudes toward the queer body and political solidarity towards marginalized groups, as well as expressions of queer shame and regret. By reading Louis’s work through the lens of Chairetis’s poems, the paper will highlight how both authors use apologetic forms of writing to establish a more ethical relationship with queer subjects and collectives. This comparison will highlight how recent queer writing has impacted our understanding of queer sexuality as a political, anti-normative demand and underline the existence of an anti-normative ‘politics of respectability’ in queer cultures. What is more, this paper will stress the need to place literature from the ‘European South’ on the same level as that from the ‘European North’ and it will demonstrate how such comparisons can yield fruitful results. 

Location: Hovenden Room

Sabrina Hogan (Christ Church): States of attention in Du Bartas’ La Sepmaine and Scève’s Délie

This paper will consider the themes of attention and distraction in Guillaume Du Bartas’ La Sepmaine (1578) and Maurice Scève’s Délie (1544), two texts which form part of the corpus in my wider poetic project on states of attention in sixteenth-century French poetry. The theme of attention in its various forms permeates a wide spectrum of poetic genres of period, notably devotional poetry, love poetry and creation poetry. A sustained form of attentiveness, vigilance, has a special place in the sixteenth century, a time of poetic vigils and devotional culture privileging the contemplative life, and an age when apocalyptic and prophetic discourses acquired renewed vigour amid the Wars of Religion. I will consider how in his epic creation poem, La Sepmaine (1578), Du Bartas reflects upon the reach and limitations of his ability to recreate the wonder of divine creation revealed in Genesis 1-2. The poet’s depiction of his own attentive state as writer probes the rhetorical figure of copia – popularised in the sixteenth century, notably by Erasmus’ De copia (1512). Scève’s Délie is hailed as the first French canzoniere, displaying the impact of Petrarch's Rime in France in a series of 449 love poems (dizains) addressed to the poet's mysterious object of desire, Délie. States of attentiveness and wakefulness are central to exploring Scève’s evocative sensorial depictions and the staging of the poet’s innamoramento.

Beverly Adrian (Wadham): Charles Nodier and the eternal recurrence of the merveilleux

This paper explores how Charles Nodier’s 1830 essay ‘Du fantastique en littérature’ makes the case for a renewed interest in supernatural fiction in the early half of the nineteenth century. Nodier’s essay will be examined in light of Louis de Bonald’s remarks in ‘Du Style et de la littérature’ (1806), in which the latter suggests that ‘la littérature est l’expression de la société’, establishing a hierarchy of literary forms, and traces the development and perceived decadence of French letters up until the revolution, when literature took a philosophical turn. Almost twenty-five years after Bonald, Nodier observes that the merveilleux or rather its offshoot, the fantastique, fulfills society’s aching need for transcendence in a decadent age of scepticism and positivism. Nodier suggests that emphasis on imagination in storytelling should supplant literary classicism, in order to rejuvenate the human spirit, thereby paving the way for a newfound age of innocence which favors illusion over doubt. My paper will consider the tensions between the merveilleux and the fantastique, as envisaged by Nodier, alongside questions of genre and canonicity. I will highlight the ways in which Nodier’s propositions correspond with an upsurge in ideas of spiritual regeneration in the aftermath of the French Revolution.

Location: Hovenden Room

Carrie Heusinkveld (St John’s, Cambridge): ‘“Avez-vous dans les airs entendu quelque bruit?” Sound and Air in Racine’s Theatre’

Jean Racine has often been regarded as the great psychological dramatist of the seventeenth-century. With their emphasis on emotional interiority and spatial and narrative simplicity, his plays have been said to take place primarily in the characters' minds, while the observable action is limited to a single, nondescript chamber from which the wider world is largely excluded. While significant critical stress has been placed on their psychological and emotional complexity, little attention has been paid to the wider material and environmental contexts of his tragedies. This reception is perhaps reflective of a widespread and longstanding strand of critical thought, which has perceived the seventeenth century – a period frequently associated with the consolidation of a modern scientific mentality - as the mainspring of an increasing alienation of the natural from the human. Early modern French theatre, widely regarded as one of the critical paradigms of knowledge during this period, has been interpreted as a crystallisation of this apparent human-nonhuman binary, modelling a wider impulse to separate the material world from the thinking mind. However, ecocritical theory and environmental history have recently started to reframe early modern conceptions of nature-human relationships as more complex and entangled than previously recognised. I will give further impetus to this reappraisal by extending this line of inquiry to early modern theatre. In examining representations of sound and air in Racine’s theatre, I will show that it is possible to discern in seventeenth-century tragedy an awareness of the imbrication of the human with the nonhuman.

Lynn Ngyugen (St John’s): ‘Migrations in language’

What does it mean to choose another language to be your own? Can it ever be your own? This talk explores several Francophone writers’ relationships to French, a language that they have adopted and/or one that they have actively chosen over their langue maternelle to write their literary works. Reading selections from texts by Nancy Huston, Assia Djebar, Anna Moï, and Alice Kaplan, among others, I will consider what significance French specifically holds for these writers as a language of literary self-fashioning, as well as examine the complex experience of inhabiting the language more broadly—either as a total outsider or from a postcolonial influence—and of grappling with the contradictions of identity that the language might bring.

Please note that due to unforeseen circumstances this event has been cancelled

Speaker: Dr Ashley R. Sanders, Data Science and Digital Humanities Consultant

Co-hosted by Dr Paula Chan

Location: Wharton Room, All Souls College

All are welcome, booking is not required.