Dr Katherine Backler

Dr Katherine Backler

Classics
Fifty Pound Fellow since 2026

I am a social historian of the Ancient Greek world, focusing on the Archaic and Classical periods. I work at the University of Leeds as a Lecturer in Ancient History and am a Fifty-Pound Fellow at All Souls. My research has two related strands. First, I recover the perspectives and experiences of ancient women and other marginalised groups, and reconsider how we might access these perspectives. Second, I work outwards from the study of self-articulation and interpersonal relationships to re-examine wider cultural phenomena and social structures. I’m currently working towards a better understanding of the historical and cultural dynamics of authorship of ancient Greek inscriptions, with the aim of establishing a corpus of ‘women’s inscriptions’ through which to approach the early Greek world from the perspective of its women. Alongside this, I’ve recently been working on the speeches of the early-fourth-century speechwriter Lysias and what they tell us about the social, cultural, and political history of the contexts in which they were written and delivered.

Research Areas
Ancient Greek social history
Political and social history of Classical Athens
Greek epigraphy
Attic oratory
Women's History
Kinship

Selected Publications

Athena’s Sisters: Reclaiming the Women of Classical Athens
‘Sisterhood, Affection, and Enslavement in Hyperides’ Against Timandrus’
Lysias: The Speeches, translated by Martin Hammond with an Introduction and Notes by Katherine Backler

Hammond, M., and Backler, K. (forthcoming), (Oxford University Press: Oxford).

‘Remembering Wrongs in the Corpus of Lysias’

Backler, K., in Lazar, L., and Thonemann, P., eds., Allan, W., and Plastow, C., eds., Athenian Revolutions 412-403 BC: The Oligarchies in Context (Edinburgh University Press: Edinburgh).

‘Lysias 8: A Therapeutic Speech?’

Backler, K. (forthcoming), in Allan, W., and Plastow, C., eds., A Handbook of Theory and Practice in Greek Oratory (Cambridge University Press: Cambridge).

Review of Allison Glazebrook, Sexual Labor in the Athenian Courts
Current Project

I’m currently working towards a better understanding of the historical and cultural dynamics of authorship of ancient Greek inscriptions, with the aim of establishing a corpus of ‘women’s inscriptions’ (inscribed dedications, funerary monuments, curse tablets, letters, graffiti…) through which to approach the early Greek world from the perspective of its women. By unpicking the practical mechanics of commissioning inscribed objects (the resources and competencies required; degrees of authorial control; the nature and understanding of the relationship between the dedicator, commemorator, curser, or sender and the inscribed object), I seek to show that many of these inscriptions should be taken seriously as instances of female self-expression. The project seeks to uncover women’s own articulations of their perspectives, experiences, and values, and to illuminate women’s contribution to the cultural and textual landscape of the ancient Greek world.