Michaelmas Term 2023 The Changing Character of War Centre Week 1

11th October 2023, 5:15 pm - 6:45 pm

Week 1: Wednesday 11 October

 

Professor Patrick Porter, University of Birmingham

Out of the Shadows: The Shock of Non-Hybrid War

 

Seminars at 5.15pm, Wharton Room, All Souls. All welcome, no booking necessary.

Head and shoulders shot of Professor Dapo Akande

Professor Dapo Akande

Chichele Professor of Public International Law
LLB, LLM
University Academic Fellow since 2023

I am a generalist public international lawyer, who not only works on a wide range of particular sub-disciplines within the field of international law but is also committed to exploration of those aspects, concepts and areas of the field that connect it together as a field of study and practice. I have worked and published on the law relating to the use of force, the law of armed conflict, international criminal law, international dispute settlement, the law of international organizations, particularly of the United Nations, the immunities of states and state officials, international human rights law, and international economic law.

Prize Fellowship Examinations

The Prize Fellowship examinations took place this week. The College thanks all candidates who participated. The Fellowship Elections will be made on Saturday 4 November 2023.

29 September, 2023

A head and shoulders shot of Charlotte Linton

Dr Charlotte Linton

BA, MA, MSc, DPhil
Post-Doctoral Research Fellow since 2023

I am a social anthropologist and designer whose work is situated at the intersection of visual, material and economic anthropology, textiles and ethnoecology. I am interested in the relationships that craftspeople have with the environments from which they extract and use resources during commodity production. I identify historical and contemporary links that concern the exploitation of ecosystems, workers and underrepresented communities. I have carried out ethnographic work with Harris Tweed weavers in the Outer Hebrides of Scotland (2015) and received a DPhil in Anthropology from the University of Oxford (2021) with a thesis based on twelve months of apprenticeship-based fieldwork with natural dye craftspeople on the island of Amami Oshima, southern Japan. A monograph based on my doctoral thesis will be published by Duke University Press in 2025 titled Dyeing with the Earth: Textiles, Tradition and Sustainability in Contemporary Japan. My new research explores the intersection of textiles and agriculture in diverse geographies - the UK, USA and India. Using comparative ethnography, I am seeking to understand how small-scale producers of natural fibres and dyestuffs are adapting their practices in the context of challenging environmental, social and economic conditions. I ask whether a grassroots approach to regenerative land stewardship and aspirations to work more ethically and sustainably might trickle up, impacting the wider fashion and textiles industries at scale.

A headshot of Matan Mazor

Dr Matan Mazor

MSc, PhD
Post-Doctoral Research Fellow since 2023

In the same way that having a body-schema allows humans and other animals to effectively control and monitor their physical bodies, having a mental self-model — a simplified description of one’s cognition and perception — allows agents to better control and monitor their mental states. I use a combination of behavioural testing, human neuroimaging and computational modelling to study how humans use this self-model to efficiently represent, learn, and flexibly adapt their behaviour to changing environments. Among the questions that keep me and my group busy are: what are the cognitive benefits of having an internal representation of one's own perception and cognition, and what happens when this representation is disturbed, biased, or not fully developed (for example, in young children)? In what way does a self-representation interact with memories of one's own actions and experiences, and with the feeling of being in control over one's actions? To what extent do people represent their own minds over and above a generic representation of minds? What is the scope of the human capacity to represent the hypothetical possibility of being someone else, and how does this capacity interact with moral decision-making and ethics?

Professor John Cardy awarded Breakthrough Prize in Fundamental Physics

Professor John Cardy FRS has been awarded the 2024 Breakthrough Prize in Fundamental Physics. The award, shared with Alexander Zamolodchikov (Stony Brook), is for profound contributions to statistical physics and quantum field theory, with diverse and far-reaching applications in different branches of physics and mathematics. 

 John Cardy was a Senior Research Fellow at All Souls from 1993 to 2014 and has since been an Emeritus Fellow.  He came to Oxford from UC Santa Barbara.  His work at All Souls on statistical physics and quantum entanglement is central to what the prize celebrates.  

14 September, 2023

Seminar Series on Medieval and Renaissance Music

This long-running series of seminars, convened by Dr Margaret Bent, considers all aspects of medieval and renaissance music. It runs on Zoom in Michaelmas and Hilary Terms and generally attracts a large international audience. Usually, a presenter speaks for around 30 minutes and then engages with invited discussants for another half an hour. The floor is then open for questions and lively general discussion. Each term’s seminars are announced in advance on this page and attendees are asked to register at the following link:

Events in this series

Medieval and Renaissance Music Seminar Series - ‘Newly Discovered Aquitanian Polyphony from c. 1100’

19th October 2023, 5:00 pm - 7:00 pm

Presenter: Sam Barrett (University of Cambridge)

 

Discussants: Andreas Haug (University of Würzburg) and Margot Fassler (University of Notre Dame).

 

This paper will present organa for four metra from Boethius’ De consolatione Philosophiae recently discovered in the margins of an Aquitanian manuscript copied c. 1100. It will show that the principal voices relate to the wider tradition of sung Boethian metra and that the organal voices were generated in accordance with principles outlined in theory treatises written towards the end of the eleventh century. The new find expands the number of recoverable melodies for Boethian metra, augments the number of surviving examples of organa consistent with the Ad organum faciendum group of treatises, and extends understanding of early medieval practices of singing non-liturgical versus. The successive disposition of the organum mirrors notational practices used in the earliest layers of Aquitanian polyphony, prompting reconsideration of the implications of surviving neumatic notations for non-liturgical lyric verse and consideration of the possibility that another Aquitanian notation dating from c. 1100 records organum for one of Horace’s Odes. It will be proposed, finally, that non-liturgical song traditions provide a previously overlooked background to the New Song.

Medieval and Renaissance Music Seminar Series - ‘Disiecta Membra Musicae: A new facsimile edition of music manuscript fragments from 14th-Century England’

30th November 2023, 5:00 pm - 7:00 pm

Presenter: Peter Lefferts (University of Nebraska)

Discussants: Andrew Wathey (The National Archives and University of Northumbria) and Jared Hartt (Oberlin College).

 

A volume of facsimiles of English fourteenth-century polyphonic music in preparation for the series Early English Church Music is intended to supersede Harrison and Wibberley, Manuscripts of Fourteenth Century English Polyphony (EECM 26, 1981). It will fill the current gap between Summers and Lefferts, English Thirteenth Century Polyphony (EECM 57, 2016) and Bent and Wathey, Fragments of English Polyphonic Music c. 1390-1475 (EECM 62, 2022). As in the latter two, leaves will be reproduced in colour, mostly at full size, and in their original order; further, about twice as many sources will be reproduced as in the 1981 book. This talk will address some of the most

interesting features of the relevant new sources uncovered in the last 45 years, consider questions about provenance that have been raised by scholarship on the codices housing these musical fragments in their bindings, and offer a taste of the discoveries yielded by the use of modern research tools, from basic internet text searching to high-resolution digital and multi-spectral imaging. In addition, the repertoire of the extraordinary Dorset rotulus will serve as the point of departure for remarks about what is new in our picture of 14th-century English music.

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